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Warlight
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Warlight
A Novel
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NATIONAL BEST SELLERFrom the internationally acclaimed, best-selling author of The English Patient: a mesmerizing new novel that tells a dramatic story set in the decade after World War II through the...
NATIONAL BEST SELLERFrom the internationally acclaimed, best-selling author of The English Patient: a mesmerizing new novel that tells a dramatic story set in the decade after World War II through the...
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Description-

  • NATIONAL BEST SELLER
    From the internationally acclaimed, best-selling author of The English Patient: a mesmerizing new novel that tells a dramatic story set in the decade after World War II through the lives of a small group of unexpected characters and two teenagers whose lives are indelibly shaped by their unwitting involvement.

    In a narrative as beguiling and mysterious as memory itself—shadowed and luminous at once—we read the story of fourteen-year-old Nathaniel, and his older sister, Rachel. In 1945, just after World War II, they stay behind in London when their parents move to Singapore, leaving them in the care of a mysterious figure named The Moth. They suspect he might be a criminal, and they grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women joined by a shared history of unspecified service during the war, all of whom seem, in some way, determined now to protect, and educate (in rather unusual ways) Rachel and Nathaniel. But are they really what and who they claim to be? And what does it mean when the siblings' mother returns after months of silence without their father, explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all that he didn't know and understand in that time, and it is this journey—through facts, recollection, and imagination—that he narrates in this masterwork from one of the great writers of our time.
 

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Excerpts-

  • From the book

    Excerpted from Chapter 1

    In 1945 our parents went away and left us in the care of two men who may have been criminals. We were living on a street in London called Ruvigny Gardens, and one morning either our mother or our father suggested that after breakfast the family have a talk, and they told us that they would be leaving us and going to Singapore for a year. Not too long, they said, but it would not be a brief trip either. We would of course be well cared for in their absence. I remember our father was sitting on one of those uncomfortable iron garden chairs as he broke the news, while our mother, in a summer dress just behind his shoulder, watched how we responded. After a while she took my sister Rachel's hand and held it against her waist, as if she could give it warmth.

    Neither Rachel nor I said a word. We stared at our father, who was expanding on the details of their flight on the new Avro Tudor I, a descendant of the Lancaster bomber, which could cruise at more than three hundred miles an hour. They would have to land and change planes at least twice before arriving at their destination. He explained he had been promoted to take over the Unilever office in Asia, a step up in his career. It would be good for us all. He spoke seriously and our mother turned away at some point to look at her August garden. After my father had finished talking, seeing that I was confused, she came over to me and ran her fingers like a comb through my hair.

    I was fourteen at the time, and Rachel nearly sixteen, and they told us we would be looked after in the holidays by a guardian, as our mother called him. They referred to him as a colleague. We had already met him—we used to call him "The Moth," a name we had invented. Ours was a family with a habit for nicknames, which meant it was also a family of disguises. Rachel had already told me she suspected he worked as a criminal.

    The arrangement appeared strange, but life still was haphazard and confusing during that period after the war; so what had been suggested did not feel unusual. We accepted the decision, as children do, and The Moth, who had recently become our third-floor lodger, a humble man, large but moth-like in his shy movements, was to be the solution. Our parents must have assumed he was reliable. As to whether The Moth's criminality was evident to them, we were not sure.

    I suppose there had once been an attempt to make us a tightly knit family. Now and then my father let me accompany him to the Unilever offices, which were deserted during weekends and bank holidays, and while he was busy I'd wander through what seemed an abandoned world on the twelfth floor of the building. I discovered all the office drawers were locked. There was nothing in the wastepaper baskets, no pictures on the walls, although one wall in his office held a large relief map depicting the company's foreign locations. Mombasa, the Cocos Islands, Indonesia. And nearer to home, Trieste, Heliopolis, Benghazi, Alexandria, cities that cordoned o the Mediterranean, locations I assumed were under my father's authority. Here was where they booked holds on the hundreds of ships that travelled back and forth to the East. The lights on the map that identified those cities and ports were unlit during the weekends, in darkness much like those far outposts.

    At the last moment it was decided our mother would remain behind for the final weeks of the summer to oversee the arrangements for the lodger's care over us, and ready us for our new boarding schools. On the Saturday before he flew alone towards that distant world, I accompanied my father once more to the office near Curzon Street. He had suggested a...

About the Author-

  • MICHAEL ONDAATJE is the author of several award-winning novels, as well as a memoir, a nonfiction book on film, and several books of poetry. Among other accolades, his novel The English Patient won the Booker Prize, and Anil's Ghost won the Irish Times International Fiction Prize, the Giller prize, and the Prix Médicis. Born in Sri Lanka, Michael Ondaatje lives in Toronto, Canada.

Reviews-

  • Library Journal

    December 1, 2017

    The multi-award-winning author of The English Patientturns in a new novel both mysterious and dramatic, featuring 14-year-old Nathaniel and older sister Rachel, whose parents leave them in the care of a shadowy and possibly criminal individual called the Moth when they move to Singapore in 1945. The Moth's friends, connected by wartime service, have lots to teach the siblings, who face more confusion when the siblings' mother returns, mum about their father.

    Copyright 2017 Library Journal, LLC Used with permission.

  • Publisher's Weekly

    Starred review from February 26, 2018
    The term warlight was used to describe the dimmed lights that guided emergency traffic during London's wartime blackouts. The word aptly describes the atmosphere of this haunting, brilliant novel from Ondaatje (The Cat's Table), set in Britain in the decades after WWII, in which many significant facts are purposely shrouded in the semidarkness of history. The narrator, Nathaniel Williams, looks back at the year 1945, when he was 14 and "our parents went away and left us in the care of two men who may have been criminals." Nathaniel and his older sister, Rachel, are stunned to discover that their mother's purported reason for leaving them was false. Her betrayal destroys their innocence; they learn to accept that "nothing was safe anymore." To the siblings' surprise, however, their designated guardian, their upstairs lodger, whom they call the Moth, turns out to be a kind and protective mentor. His friend, a former boxer nicknamed the Pimlico Darter, is also a kindly guide, albeit one engaged in illegal enterprises in which he enlists Nathaniel's help. The story reads like a nontraditional and fascinating coming-of-age saga until a violent event occurs midway through; the resulting shocking revelations open the novel's second half to more surprises. The central irony is Nathaniel's eventual realization that his mother's heroic acts of patriotism during and after the war left lasting repercussions that fractured their family. Mesmerizing from the first sentence, rife with poignant insights and satisfying subplots, this novel about secrets and loss may be Ondaatje's best work yet. Agent: Ellen Levine, Trident Media Group.

  • Kirkus

    March 1, 2018
    Acclaimed novelist Ondaatje (The Cat's Table, 2011, etc.) returns to familiar ground: a lyrical mystery that plays out in the shadow of World War II.In what is arguably his best-known novel, The English Patient (1992), Ondaatje unfolds at leisurely pace a story of intrigue and crossed destinies at the fringes of a global struggle. If anything, his latest moves even more slowly, but to deliberate effect. As it opens, with World War II grinding to a gaunt end, Nathaniel Williams, 14, and his 15-year-old sister, Rachel, learn that their parents are bound for newly liberated Singapore. Rose, their mother, has made the war years bearable with Mrs. Miniver-like resoluteness, but the father is a cipher. So he remains. Nathaniel and Rachel, Rose tells them, are to be left in London in the care of some--well, call them associates. They take over the Williams house, a band both piratical and elegant whose characters, from the classically inclined ringleader, The Moth, to a rough-edged greyhound racer, The Pimlico Darter, could easily figure in a sequel to Great Expectations. "It is like clarifying a fable," Ondaatje writes in the person of Nathaniel, "about our parents, about Rachel and myself, and The Moth, as well as the others who joined us later." But that clarification takes a few hundred pages of peering into murky waters: Nathaniel, in adulthood, learns that Rose, who slips back into England soon after sailing away, has been a person of many parts, secretive, in a war that has extended beyond the cease-fire, as partisans battle unrepentant fascists and the early Cold War begins to solidify, a time of betrayal and murder. If Rachel and Nathaniel's adventures among their surrogate parents, who "did not in any way resemble a normal family, not even a beached Swiss Family Robinson," are far from innocent, the lives of all concerned have hidden depths and secrets, some shameful, some inviting murderous revenge.Ondaatje's shrewd character study plays out in a smart, sophisticated drama, one worth the long wait for fans of wartime intrigue.

    COPYRIGHT(2018) Kirkus Reviews, ALL RIGHTS RESERVED.

  • Hermione Lee, New York Review of Books "[Ondaatje] casts a magical spell, as he takes you into his half-lit world of war and love, death and loss, and the dark waterways of the past."
  • Sam Sacks, WSJ "Mr. Ondaatje has stepped into John de la Carré's world of spies and criminals...his novel views history as a child would, in ignorance but also innocence and wonder."
  • Mark Athitakis, The Minneapolis Star Tribune "A tender coming of age story so warmly delivered you almost forget how much of its plot involves smuggling, spycraft, and assassins...the novel becomes at once a mystery tale and an exploration into how much of our lives are out of our control, especially in wartime."
  • Bethanne Patrick, The San Diego Union-Tribune "Michael Ondaatje's novel Warlight is a masterpiece of shifting memory... a book made lush through layers of experience instead of description."

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